Small runs · Made to be kept

Clothing cut in numbers small enough to name. Every piece leaves the table with a seam you can read and a weight you can feel.

See the collection How it's made
Vol. 01 — The Crimson Cut

The house

We make less, and we make it slowly. A run closes when the cloth runs out — not when the season says so.

40pieces per run, at most
3fittings before a pattern is cut
1maker signs each finished garment

Vol. 01

The Crimson Cut

Three pieces. Each drafted around a single idea, then left alone.

Outerwear

The Bordeaux Coat

Double-faced wool, unlined shoulder, hand-padded lapel. Falls straight from the collarbone.

From £680
Tailoring

Luis Trouser

High rise, single pleat, quiet break. Cut in a dry Italian twill that holds a crease all day.

From £240
Knitwear

Seam Crewneck

Fully fashioned lambswool with an exposed shoulder seam — the join left visible on purpose.

From £185

Three tables

From cloth to closet

  1. I

    Cut

    Patterns are drafted flat, then draped on the stand and corrected by hand. Cloth is cut single-ply so the grain stays true.

  2. II

    Stitch

    Structural seams run through the machine; collars, linings and buttonholes are worked by hand at the bench.

  3. III

    Finish

    Pressed over a ham, rested overnight, checked in daylight. Then signed, wrapped and sent.

A seam is the only honest part of a garment. It tells you exactly how much time went in.

The atelier, on why the shoulder is left exposed

By invitation

Vol. 02 opens to the list first

Runs are small and they close quickly. Join the list and you'll hear the morning a new cut is cast — nothing else.